Past Newsletters

Is the Edinburgh TV Festival worth £1,500? I’ve spent years trying to get into it, and now I’m finally going back. Here’s what I’ve learned about the cost, the opportunities, and knowing when an industry event is actually worth your money.

Showing working examples of why a short film isn't a long story with bits taken out.

What the BFI is really looking for, why most first applications don't succeed, and how to know when you're ready.

What I’ve learnt from getting two funded shorts made, finding collaborators, navigating funding routes, and understanding what producers need to see before they take a risk.

Discover a practical exercise to help you find your unique writer's voice by identifying the themes, characters and ideas that connect your work.